Granted, those terms are not entirely without merit and many of our listeners fall into the demographic no disrespect is intended. Being something of lone wolves and outlaws, we have, for instance, gradually drifted apart from categories such as ‘ritual ambient’ or ‘dark ambient’. Perceived changes usually relate to matters nearly wholly external. Aesthetics evolve, ideas are fine-tuned, our technical know-how improves, but as for fundamental changes – there have been none. We are certainly still on the same trajectory. Do you see yourselves on the same trajectory, following the same ideologies and aesthetics as when the group was first formed?Īrktau Eos: First, thank you for your kind words. Michael: Arktau Eos has been an essential group in the ritual ambient scene for more than a decade. In this interview we will be discussing the future of Arktau Eos, their greater relationship (or lack thereof) with music, politics and religion, their current views on physical, digital and video formats, analysis of Eremos and its context in the Arktau Eos discography, proper setting/atmosphere for deeper listening/understanding of their music, and quite a bit more! There haven’t been a large number of interviews over the years with anyone from the Aural Hypnox / Helixes collective, though the ones available are certainly worth seeking out! So, it is with great respect and privilege that I am presenting you with this highly in-depth interview with Arktau Eos, who also have authority to, and do, speak on matters of the label at large herein. Arktau Eos, like the Aural Hypnox / Helixes collective as a whole, exudes an air of authenticity and primal energy which is unrivaled by most, I would passionately argue. They have been among the top-tier acts in many of the most revered festivals in the scene over more than a decade. Arktau Eos are one of the most distinct and respected groups in the ritual post-industrial scene.
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